The new album from Grouplove is here, and much like their debut, 2011’s Never Trust a Happy Song, it’s all over the place — in the best way possible. Spreading Rumours, their sophomore effort, is loud, messy, frenetic, and fucking incredible. The jumble of musical styles and obvious references to other musicians seem on paper like they would never work, a blend of reggae, rock, rap, funk, soul, pop, and stomp so audacious that it’s actually quite perfect. It’s impossible to listen to this album without wanting to immediately get up and dance — or have an impromptu solo air band concert on your couch.
I suppose I’m Grouplove’s target audience, since I’m a fan in one way or another of most of the above referenced genres, and I’m a sucker for pomp-and-circumstantial pop. You say bombastic, I say fantastic. And that last sentence pretty perfectly summarizes Spreading Rumours. You’re either going to love this album or start shaking your cane and asking those damn kids to turn that noise down. And that’s okay. I’ll just be in the former camp rocking out.
Going back to the aforementioned blend of style and influences permeating Grouplove’s work, the usual suspects from Never Trust A Happy Song are back for round two on Rumours, including the Pixies (“Raspberry”) and Beach Boys (“Shark Attack” — though really just the acoustic guitar breakdown and harmonies; that track is an explosive surf rock/dancehall concoction that might give even fun fun fun-lovin’ Brian Wilson a headache). Joining them this time around are The Beatles (“Bitin’ the Bullet” — see if you can pick out strains from “A Day in the Life”), the Flaming Lips (“News to Me” sounds eerily similar to “She Don’t Use Jelly”), and Better Than Ezra (“Save the Party For Me,” the album closer, which to my ears echoes BTE album closer “Happy Endings”). “Sit Still” could be a lost collaboration between Feist and En Vogue (can someone make that happen for real?). I’m sure there are many more that will jump out at me in the days and weeks to come.
One of the things I love best about Grouplove’s use of such referencing, both obvious and subtle, is that it doesn’t seem forced. Maybe they meant to write a hook that riffs on Black Francis’s best; maybe they just really enjoy the Pixies and their work is always in mind when writing. Either way, Grouplove has found a way to take their reverence and turn it into something wholly their own. Even the very name of the band (and the title of this post, which comes from a Rumours lyric) implies their free-spirited attitude toward other musicians: it’s a group full of love for other groups.
That statement may be a bit of a reach and a more than a little cheesy, but if Grouplove doesn’t care about unabashed sentiment, then why should I? As they sing on “News to Me”:
And if you’re living for something, that’s something / Yeah, you might have it all.
Looks like Grouplove and I suffer from an embarrassment of riches.