As I’ve already mentioned, I’ve been in a bit of a funk lately, adjusting slower than I’d like to my new life as a Midwesterner. And as I’m still without gainful employment, I’ve had a lot of time on my hands to contemplate my inner conflict, and thus have been taking every and any opportunity to distract myself, devouring pop culture with a voraciousness I haven’t felt in years.
Thanks to stumbling upon a recommendation from Paste, I decided to seek out their debut album (which, yes, came out waaaay back in January, I’m late to the game, blah blah, etc.), and I couldn’t be happier that my wasting time on the internet led me to this band. Mindless link-clicking can be good for the soul, kids.
In the week since America Give Up entered my life, I’ve listed to the album countless times (okay, that’s not entirely true, thanks to Last.fm’s diligence), and its third track has inspired me to hit “repeat” on more occasions than I can recall. I’m not sure the last time I was this obsessed with a single song — maybe December 2008? Either way, I am seriously in love with “This One’s Different.”
It’s difficult to put into words what exactly it is about this track that has me so transfixed. Maybe it’s because the guitar and bass hooks are buoyant and infectious, the delivery is snappy, and the lyrics are dripping with clever turns of phrase, like the narrator declaring that in writing a song, he’ll “put the pen onto the page, let the ink scream along.” I also really dig the Replacements reference in the following couplet:
Paul said, “I could live without your touch if I could die within your reach.”
I say that damn line way too much, like it’s something I have to preach.
Other standout tracks include back-to-back-to-back trio “Told You Once,” “Back of Your Neck,” and “Free Drunk,” though really, the entire album is worth your time (and clocking in around 31 minutes, it’s certainly a short journey to take for such a big reward). I’ve read several reviews comparing these guys to The Strokes, an observation I think is apt, especially when considering their vocal stylings and penchant for fuzzed-out melodies. I’d also venture to say they’re taking some influence from Weezer and the Beach Boys (in addition to the aforementioned Replacements) with their affinity for surf rock, straight-up rock, and tight harmonies, and I am totally on-board with them further exploring that sound on future releases.
As frontman Jordan Gatesmith croons on “This One’s Different,” “When the feeling is there, it’s there.” For me and Howler, I think this is the beginning of a beautiful relationship.